Showing posts with label introducing. Show all posts
Showing posts with label introducing. Show all posts

13 March 2009

Introducing: Phoenix



It's a bit stupid that I'm even giving these guys an "Introducing" tag seeing as how I've actually known about them for ages now and just, well, never got round to saying anything about them! So basically they're a bit like Daft Punk mixed with something somewhere along the lines of The Strokes. And if that sounds crazy, well, it's definitely NOT a catastrophe on record.

In fact, they've released 3LPs already, so they must be doing something right. Actually, here's what they're doing right: they don't really mix the two styles which are poles apart instantly - it's more of a case of, we'll use this style on one track and save the guitars for another day. So no, not a mess. So for people who like the more Daft Punk end, go for their debut "United" and for those who would prefer something a little more guitar-orientated then you should probably look out for "It's Never Been Like That" (hmm, appropriate title, considering).

Oh, I've decided not to waffle. Instead, I'll just show you this video for "If I Ever Feel Better". It's lovely stuff, really:



10 March 2009

Introducing: Dan Black



Hmmm.... I must be losing my touch. It seems that I should have posted about Dan's lovely mix of electro and pop sensibility about.... two months ago? But after semi-forgetting his first single "Yours" I simply could not overlook him as soon as "Alone" came out. Firstly because "Alone" is a far superior single and more grown-up in a strange little way but also because it reminded me of how catchy and intoxicating his material was in the first place.

But alas, Dan was left to gather dust on the shelf while life took me by the reins and told me not to associate with the blog until I'd got my act together (although nothing bad happened - just a busy period). But now I'm sitting having a good blog day and I'm here to say something along the lines of: Dan Black is the next big thing, and if he's not then something has gone seriously wrong down the line.

Okay, so here's the lowdown: Dan lives in Paris and has done so for quite some time. He used to be part of a band but admits that he was the cause of their break-up, specifically that his perfectionism drove the other members to the insane asylum. So I assume that our Dan is a bit of a bedroom boffin who tweaks his controls in an attempt to get his own perect sound. And perhaps he has. Dan has mixed together some different styles, added some bass guitar and his own strangely affecting voice (okay so maybe it's more aggressive in "Yours" but its certinaly meek at points in "Alone") to create something quite magical.

Despite being undoubtedly mainstream material, there is something to his songs that screams underground and rough-around-the-edges. There is a slighty rustic feel to his approach to electro that gives it the edge over others - if Hot Chip are the polished princes of the genre, then surely Dan is like the aspirational squire. It's modern and entirely danceable. And he's just brilliant. That was the summary: I adore Dan Black.

Video to "Alone":



20 January 2009

Introducing: Empire of the Sun



Today is the day that I do my first "introducing" segement of the year! Woo! Now, this is a band that I've been hearing a lot about but never really had the opporutnity to check out until now. Basically, Empire of the Sun, named after the JG Ballard novel of the same name, are Australia's answer to MGMT, producing blissed-out, chilled dance music with a semi-acoustic feel. But I mean look at these guys - instead of placing themselves in fields and wearing headbands like their American counterparts, they're dressed up like something out of a fantasy movie and are living in a futuristic city!

The first track I heard was "Walking On A Dream", which is also the title of their debut album. It is easy to say that the vocals are distinctly like those of Andy VanWyngarden, but the other elements borrow more from the likes of Air and Royksopp - in your head you know that the melody is danceable but there's this niggling feeling that maybe, just maybe, this is music to relax to rather than to move to. I know that the more I listen to them, the more I feel like I need to lie down and go into dream world instead of embracing reality.

Hmm.... there's quite a bit of good stuff coming out of Australia right now isn't there? And doesn't that guy with the bushy hair look like that guy who used to be in Wolfmother (sorry about the vagueness!)? Anyway, here's the video for "Walking On A Dream":



13 November 2008

Introducing: The RGBs

I have to thank the guys at Bridging the Atlantic for alerting me to this London-based band who really love a good keytar. Well, the instrument is making a bit of a comeback at the minute and I always marvel at how well everyone can play them, especially since they look like complicated bits of machinery.

Well, that's a different story. I'm really supposed to be talking about The RGBs, who are creating a big slice of fem-disco that is really not that safe if you happen to listen through all of the six tracks on their MySpace site. Little Boots is making a very broadcast-friendly name for herself but these guys will probably only ever be played on late-night obscure shows. Which, as ever, is a huge shame considering that their debut single "The Everlaster" makes singer Becky sound like Kate Bush going all electro. At least in my opinion. Actually, that's the thing that intrigues me about the band: Becky's voice. It seems to change effortlessly with each song but at the same time the music never seems disjointed as a result.

Then again, I would say that: I really hate it when there's only one style of singing or the same tune over and over again. Which brings me to the next point: tunes. I don't know what anyone else thinks but some of those wobbly disco beats and melodies are really catchy!

I can't go on forever, which is why I've found the video for "The Everlaster":

02 November 2008

Introducing: School Of Seven Bells

Today seems like the day when all the bells are ringing: first Howling Bells now School of Seven Bells - yet another wonderful Brooklyn band, would you believe? There seems to be a good thread of bands from there thinking along similar lines: if you examine Chairlift, MGMT, Yeasayer and these guys hard enough you'll notice that while they are obviously influenced in some by psychedelia, and have a distinctly dreamy quality to them.

Formed by former Secret Machines guitarist and vocalist Ben Curtis, he recruited Alejandra and Claudia Deheza to sing for him together so that they created harmonies and then branched off in different vocal ways at certain parts in certain songs. They've just released their first proper single (there have actually been quite a few demo EPs), "Half Asleep". As the title suggests it's a typically dream-pop inspired piece of electronica punctuated by some fuzzy background guitar work and some rather spaced out vocals, different to the singing on some of their other songs.

Other songs like "Prince of Peace", which is probably my favourite song right now (can someone please tell me where I can download this!?) - this is quite Yeasayer like, it has a rather eastern quality to it almost completely driven by the girls' vocals as they chant and power away through admittedly repetitive but ultimately lovable lines that put you in some sort of trance.

Everything is distinctly light and airy about this band but with some slightly darker undertones lurking somewhere beneath the fuzz - I would say that if you like any of the bands mentioned above, and enjoy people like Royksopp then you're probable on to a winner here. The debut album is supposedly out.... tomorrow!! But I've had bad luck with release dates before (curse you, Chairlift!) so keep checking. Until then... well I can't find a proper video so I'll just have to leave the MySpace URL. Enjoy:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=82880408

21 October 2008

Introducing: La Roux

This is La Roux, a synth-pop star in the making I think. In the latest edition of the Observer Music Magazine Brighton-based postrel Little Boots said that the only people carrying on the tradition of quirky and eccentric British pop were Hot Chip - well if all goes well then our friend La Roux will be able to join them.

Her real name is Elly Jackson, she's based in London and writes odd songs that don't have a clean-cut meaning with fuzzy vocals and brilliant synth hooks - far better than some of the other pretenders we have out there at the minute! An added bonus to all this? Unlike a lot of female artists coming from London lately (I'm looking at you Adele, Kate Nash, Lily Allen etc.) she's not singing in a horrible cockney accents. And she can bend her voice really well, willing it to stretch it to its limits, a bit like Camille singing that bit on "Money Note" when she takes the mick out of Mariah Carey and Celine Dion's faint weak voices then bursts into harmonic screaming, only more British! What a breath of fresh air...

Yep, it really is that good - at the minute she only has just over 2000 friends on MySpace which is nothing so maybe I've picked up on something good here. There's only a minute and a half worth of her single "Quicksand" but it's all you need to get hooked. Then again you can listen to "Reflections Are Protection" and a new mix of "In It For The Kill" in full which is a blessing! It's really a one for people who like singing and not talking, Hot Chip's odd take on electro and a good dollop of eccentricity!

Check out that page anyway, I'll leave the link right... here: http://www.myspace.com/larouxuk